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James Gilchrist [Evangelist], Neal Davies [Christus], Sophie Bevan [soprano arias / Ancilla], Iestyn Davies [alto arias], Ed Lyon [tenor arias], Toby Ward [Servus], Benedict Kearns [Petrus], Roderick Williams [bass arias / Pilatus]. Academy of Ancient Music and King's College Choir Cambridge/ Stephen Cleobury. (Recorded 3/2016. Total time: 109'23'. SACD's: Hybrid Super-Audio discs)

BRO Code:
177292
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2
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Requiem, Op. 9 [1961 version] {Patricia Bardon, mezzo-soprano. Choir of King's College, Cambridge and Orchestra of the Age of Enlightenment/ Stephen Cleobury}; Messe Cum Jubilo, Op. 11 {Ashley Riches, baritone. Choir of King's College Cambridge/ Stephen Cleobury}; Quatre Motets sur des thèmes grégoriens, Op. 10 {Choir of King's College Cambridge/ Stephen Cleobury}. (With Tom Etheridge and Richard Gowers, organ. Recorded 1/2016. Total time: 63'49'. SACD: Hybrid Super-Audio disc)

BRO Code:
177289
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1
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CD ,  SACD

Verdi, Requiem

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Erika Grimaldi, soprano. Daniela Barcellona, mezzo-soprano. Francesco Meli, tenor. Michele Pertusi, bass. London Symphony Chorus and London Symphony Orchestra/ Gianandrea Noseda. (Recorded 'live', 9/2016. Total time: 77'55'. SACD: Hybrid Super-Audio disc)

BRO Code:
177250
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1
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Richard Davy [1468-1507], Passion According to St. Matthew for Palm Sunday [with Ian Partridge {tenor}, Christopher Keyte {bass} and All Saints' Margaret Street Choir Boys] + other works by Josquin, Dunstable, Lambe, Browne, Nesbett, Wylkynson, Cornysh and Fawkyner. (Elizabethan Consort of Viols and Purcell Consort of Voices/ Grayston Burgess. Total time: 121'09'. 'The first substantial survey of the Eton Choirbook's treasures on record, newly remastered, compiled and reissued on CD for the first time. Copied out between 1490 and 1502, the Eton Choirbook is the most substantial extant source of English liturgical polyphony from the late 15th and very early 16th centuries. From the 1920s onwards attempts were made to perform and record pieces from the Eton Choirbook but they were hampered both by the technical demands of the music - often as thrilling as it is rhythmically complex and metrically unstable - and by it's relative unfamiliarity to English cathedral choirs. Only in 1968 was a successful attempt made by Argo to record a selection on two albums, which are united here. The performers constituted an astute combination of an all-male choral foundation [from St Margaret Street in London] with the professional ensemble of the Purcell Consort of Voices, directed by their founder Grayston Burgess, who died in 2019. The first album documented the setting of the St Matthew Passion by Richard Davy and the second included a selection of motets compact [the Ave Maria of Cornysh and Nesciens Mater of Lambe] and spacious, most notably Browne's Stabat Mater and Fawkner's Gaude Rosa. Filling out this 2-CD set is a third Purcell Consort of Voices album of 15th-century repertoire recorded by Argo and never previously issued complete on CD. The flowing polyphonic style of John Dunstable and the sublime reach of Josquin des Prez are surveyed with both sacred and secular, instrumental and vocal works; highlights include the courtly elegance of Dunstable's O Rosa Bella and Josquin's affecting tribute to his teacher in the Déploration sur la Mort de Okeghem.')

BRO Code:
174509
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2
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Respighi, Ancient Airs and Dances - Suite No. 3. Martin, Passacaille for String Orchestra. Hindemith, Five Pieces for String Orchestra. Berkeley, Serenade for Strings, Op. 12. Barber, Adagio for Strings, Op. 11 [recorded 1951 {Respighi} & 1955. MONO]. Gluck, Chaconne from 'Paride ed Elena. Hoffstetter [attrib. Haydn], Andante cantabile from Op. 3 No. 5. Bach, Fugue from BWV 542; Fugue, BWV 947; Air from Orchestral Suite No. 3. Boccherini, Minuet from Quartet, Op. 13 No. 5. Schubert, Minuet and Trio No. 5 from D.89. Mozart, Excerpts from 'Les petits riens'; Minuet and Trio from Divertimento, K.334 + excerpts from works by Schumann, Vivaldi, Grieg and Handel [recorded 1960 {Gluck} & 1966]. (Stuttgart Chamber Orchestra/ Karl Munchinger. Total time: 118'09')

BRO Code:
174504
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2
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Fran Lhotka {1883-1962}, The Devil in the Village - Suite [Orchestra of the National Opera House, Zagreb/ composer]. Kresimir Baranovic {1894-1975}, The Gingerbread Heart - Ballet Music [Belgrade Philharmonic Orchestra/ composer]. Josip Stolcer-Slavenski {1896-1955}, Simfonija Orijenta 'Religiofonija' [vocal soloists with Belgrade Philharmonic Chorus and Orchestra/ Zivojin Zdravkovic]. Leos Janacek {1854-1928}, Taras Bulba - Rhapsody for Orchestra; Lachian Dances [London Philharmonic/ Francois Huybrechts. STEREO]. (Total time: 139'04')

BRO Code:
173323
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2
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Francois Couperin [1668-1733], Motet de Sainte Suzanne; Quatre Versets d'un Motet compose de l'ordre du Roi; Verset du Motet de l'annee derniere; Sept Versets du Motet compose de l'ordre du Roi; Dialogus inter Deum et hominem {Jennifer Vyvyan and Elsie Morison, sopranos. William Herbert, tenor. George James, bass. Chamber ensemble conducted by Anthony Lewis}. Jean-Baptiste Lullly [1632-1687], Miserere {Margaret Ritchie and Elsie Morison, sopranos. Alfred Deller, countertenor. Richard Lewis and William Herbert, tenors. Bruce Boyce, baritone. St. Anthony Singers and Ensemble Orchestral de L'Oiseau-Lyre/ Anthony Lewis}. (Total time: 76'16')

BRO Code:
173317
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1
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Ekaterina Sergeeva, mezzo-soprano. Alexander Timchenko, tenor. London Symphony Chorus [in Symphony No.1]. All with London Symphony Orchestra/ Valery Gergiev. (Recorded 2014. Total time: 91'09'. SACD's: Hybrid Super-Audio discs)

BRO Code:
173051
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2
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Prokofiev, Peter and the Wolf {Sting, narrator with The Chamber Orchestra of Europe/ Claudio Abbado}. Saint-Saens, Carnival of the Animals {Beatrice Lillie, narrator. Julius Katchen and Gary Graffman, pianos. London Symphony Orchestra/ Skitch Henderson}. Alan Ridout, Ferdinand - for speaker and solo violin {Elena Bashkirova, speaker and Gidon Kremer, violin}. Rimsky-Korsakov, Flight of the Bumble-bee {Philharmonia Orchestra/ Vladimir Ashkenazy}. Louis-Claude Daquin, The Cuckoo. Francois Couperin, The Gnat. Jean Philippe Rameau, The Hen. Jacques Ibert, The Little White Donkey {Varda Nishry, piano}. Jimmie Dodd, Mickey Mouse March {Boston Pops Orchestra/ Arthur Fiedler}. (Total time: 76'49')

BRO Code:
172480
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1
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Sousa, The Stars and Stripes Forever. Saint-Saens, Danse macabre, Op.40. Charles Ives, Variations on America. Dudley Buck, The Last Rose of Summer, Op.59. Enrico Bossi, Etude symphonique, Op.78. Edwin Henry Lemare, Andantino in D-flat - Moonlight and Roses. Alexandre Guilmant, Organ Sonata No.1. (Organ of the Methuen Memorial Music Hall, Boston/ Simon Preston. Total time: 66'32')

BRO Code:
172470
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1
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